The Davidson Temporal Representation Hypothesis
🧪 The Formal Equation:
🔹 Core Variables Defined:
🖼️ The Central Proposition
Every act of representation is, by necessity, a delayed echo of the real.
This hypothesis suggests that the subjective quality and style of art is largely determined by how an artist processes, manages, and expresses the inevitable lag of . True simultaneity between perception and creation is biologically impossible.
Every act of representation is, by necessity, a delayed echo of the real.
This hypothesis suggests that the subjective quality and style of art is largely determined by how an artist processes, manages, and expresses the inevitable lag of . True simultaneity between perception and creation is biologically impossible.
Acknowledgments
This work represents an ongoing exploration, developed through active painting and drawing practice paired with deep, sustained reflection. The research originated and took its initial shape at the 2 Dogs Art Space in Akashi, Japan, made possible by the generous support of family and friends, and inspired by the two dogs who lend the space their spirit.
Over the years, I owe special thanks to all my former academic professors, whose enduring guidance provided the necessary foundation for this inquiry. Furthermore, I acknowledge the valuable contributions of modern tools, specifically my AI collaborators—Google Gemini, Open Source, Chat GP and Microsoft Copilot—for their assistance in refining the structure and language of this theoretical framework.
Peter Davidson
